Saturday, February 25, 2012
Chasma - Declarations of the Grand Artificer 
Chasma are among those bands that are really hit and miss for me, and probably for most other people as well. You go in expecting one thing and the end result is one which was not anticipated; this is what happens with Chasma. Their DSBM style makes use of the typical attributes of the genre, i.e. long, dragging songs in which not that much of note happens. The first band that comes to mind when listening to Chasma will probably almost always be Burzum, especially albums like "Filosofem" where repetition is key to its success; yet with Chasma, one could argue that it’s their biggest detriment.
As previously stated, Chasma’s fatal flaw is drawn-out and superfluous use of repetition and slow, somewhat droll passages that are intended to put the listener in a passive, wistful state, which they don‘t exactly succeed in doing. They don’t give off this particular vibe, however, right when the album starts, because it starts off on a relatively faster note, with blast beats in the background and faster riffing. Very soon after, though, they delve into what is to become the biggest aspect of the album, with a dissonant, eerie and slow riff; the drums also slow and combining tom hits with the ride to generate a more powerful yet calm effect. The harrowing, utterly maddened vocals (very akin to Burzum, again) immediately meet the listener and create a wave of sorrow and grief. The vocals are indeed quite depressing and they pull them off well, but they don’t fully make up for the monotony that Chasma put so much into play with their somber and repetitive riffing.
There are lots of segments throughout the album that leave the guitars to be playing cleaner passages, alone in the foreground, with tom hits going on in the drum section and usually whispered vocals. This can be seen at 3:37 in the first track, and this particularly depressing, melancholic riff is to be subsequently played for a ridiculous amount of time. While at first it may seem fresh and appealing, it greatly hurts their music to repeat riffs like these for so long. The rest of the album is dominated by alternations of these two styles, that of slower passages being far more prevalent. Tremolo-picking is a rarity, although it is seen scarcely throughout, and I wish they would’ve used more of it to uplift their usually boring riffing. Some of the riffs are somewhat interesting and will hook the listener for a decent amount of time, but where many other albums of a similar style succeed in putting the listener into a hypnotic trance, Chasma are just short of achieving this, and unfortunately they don’t pull it off.
Overall, it is not an absolutely horrible album but nor is it a great one. There are only three tracks in total, adding up to a sum of thirty minutes. There isn’t very much variation in these three tracks and their overlong repetition of certain riffs greatly hurts their music. Their style of black metal is one that has been seen before in bands like Burzum, but they don’t cast a very impacting effect and the listener is left feeling somewhat empty after the long, tiring journey of DSBM finally subsides. Definitely recommended for passionate fans of this style of black metal, but unfortunately, it is merely a decent album, just short of mediocre.