Obliveon! Underrated Techy Thrash!
The problem with Vektor is that they don't release a new album every weekend for the music nerds to worship. So, we have to reach into the all giving internet and find incredible underrated bands like Obliveon to become obsessed with! Montreal is the luckiest city on earth to have such good bands come from their area! Obliveon alone is enough to make anyone want to make a trek there, and tell these talented bastards to get back together and start jamming this album again! It mixes Sci-fi with technical elements while still maintaining a thrashy sound!
Diving straight in, these riffs will melt your mind and keep your interest all the way through the whole album! It starts out with a short clean intro in the first track, and title track, "From This Day Forward". And if that intro doesn't just scream Vektor at you, rewind it, and listen again! The riffs in this just don't let up! There is nothing worse than when a band gets overly techy and can't write a riff to save their life. There is none of that overrated wank in here. They can still keep the fast paced thrash riffs and kick it into moshing mode with the hard ass mid tempo's that will have you circle pitting in your living room! One of my favorites is at 1:52 of the second track, "Fiction of Veracity" turn that shit up! That track also starts out with a mind numbingly awesome guitar lead that will play in your head all day! Seriously, every single track is worth mentioning for the awesome riffs and drumming.
The bass and drums kill it on this CD. DAT FUGGIN' BASS! Right in the first track he dishes out some leads at around 2:05 and in the second he keeps up with the guitar at 3:50. And really he steps it up all over the album. Same with the drums, the way they bring in the second track is astounding. He really shows off his double kick work in every track. Not just in how long he is able to maintain it but the way he switches it up and really highlights every note and picking pattern in the riffs.
This is seriously an album that is worthy of a ten page, long, boring, track by track review. But to spare you the theatrics you should just listen to it on YouTube and kill yourself for not being worthy. Everything on this Album is amazing, the vox, guitar, bass, drums, you name it. Now stop reading this kiss ass review and LISTEN!!
97%
Favorite Tracks: ALL OF THEM!! They all rule equally.
Showing posts with label Vektor. Show all posts
Showing posts with label Vektor. Show all posts
Sunday, February 19, 2012
Tuesday, January 24, 2012
Vektor - Outer Isolation [2011]
Vektor's Standard is Excellence!
Vektor is the type of band that I feel no matter how far
they go in their career, all the success in the world wouldn’t be enough to
match that of such prodigious talent. They simply give me everything I want to
hear in a thrash album; or any genre of album at that. There isn’t one thing I
would change about Outer Isolation or any of their previous albums.
1. Cosmic Cortex
I love that they start the record with this song! It begins with, without asking them, what seems to sound like radio emissions from the planet Saturn (Don’t ask me how I know that; Nerd Alert!) then moves into a heartbeat that slows down into a clean intro. You have got to hand it to them; that is some pretty nifty stuff! The intro in this song to me is a shining monument to everything that is Vektor! Then Dave may just make you spill your coffee with his high falsetto! Thus bringing the song to maximum head-bangage! What really makes this track shine to me is the remarkable guitar work! They really out did themselves with the different harmonies and transitions! Specifically I would like to point out a few quick riffs and transitions: Besides the intro, 3:03, 6:00, and the very last riff! On that last riff, having one guitarist chug while, the other strums, what sounds like an F minor chord, is just genius.
Haha I just wanted to say that the beginning of this song reminds me of fighting the "Brain" of Andross in Star Fox 64. Anyone?
1. Cosmic Cortex
I love that they start the record with this song! It begins with, without asking them, what seems to sound like radio emissions from the planet Saturn (Don’t ask me how I know that; Nerd Alert!) then moves into a heartbeat that slows down into a clean intro. You have got to hand it to them; that is some pretty nifty stuff! The intro in this song to me is a shining monument to everything that is Vektor! Then Dave may just make you spill your coffee with his high falsetto! Thus bringing the song to maximum head-bangage! What really makes this track shine to me is the remarkable guitar work! They really out did themselves with the different harmonies and transitions! Specifically I would like to point out a few quick riffs and transitions: Besides the intro, 3:03, 6:00, and the very last riff! On that last riff, having one guitarist chug while, the other strums, what sounds like an F minor chord, is just genius.
Haha I just wanted to say that the beginning of this song reminds me of fighting the "Brain" of Andross in Star Fox 64. Anyone?
2. Echoless Chamber
The
beginning here is a HUGE catcher! I love how it moves from that semi clean
intro to the verse riff so quickly. That is easily one of my favorite moments
of the whole album, it’s executed perfectly! That verse riff it quickly moves intro
is one MONSTER MOSH RIFF! The bridge in this song is out of this world as well!
I say that because of the outstanding BASS at 3:09 and so on! It brings in the
solo section so well!
3. Dying world
Gotta
love that bass! My favorite part of this beginning is the fill on the bell at
1:00 in! It’s those little things that bring out so much. The verse in here
really makes me want to stand in front, grab the monitor, and head bang until I
puke! But, most of all the whole song seems to be building towards the chorus,
which has somewhat of an old-school flair with the lyric, “Welcome to a Dying
World”!
4. Tetrastructural minds
I always seems to be mentioning intros. If you are wondering
why; it is because of the “Curb appeal”. When someone first selects a track, if
the intro doesn’t put them in a strangle hold right away, one may be inclined
to skip the track all together. That being said, HOW COULD ONE PASS UP THIS GEM!
Not with all that bass kicking your ass! I really enjoy all of the high notes
in the riffs. The harmonies really stand out here. But, the real flavor is at
4:22 where the song almost gets kind of “poppy”. Like, if you heard this part
alone you may not be able to tell this is Vektor. The clean part right before
it is magical as well. There couldn’t have been a better part. Also, I remember
Vektor mentioning a Pirate riff. I’m sure someone beat me too it, but it was in
to Demolition version of this song.
5. Venus Project
I
actually discovered Vektor because of this song. I was doing a little research
on Jacque Fresco, and I stumbled upon the greatest band ever. I’m not quite
sure if the lyrics are speaking of the same thing though haha. But alas, there
is a very interesting clean intro. Vektor’s standard is above awesome. Things
really get interesting when the song slows down. The bass under the clean part
is incredible; I think it carries the whole section. The background noises here
are very other worldly, if you are listening to this stoned… prepare for a
vision quest. That is all.
6. Dark Creations, Dead Creators
This is
the most “to the point” song on the whole album. A “Quicky” per say. That being
said, I love how this song still has about a minute of intro. Happy face.
Something that really shines in this song is the DRUMS! The highlights of which
is the intro, obviously, and the part at 2:37; where at one part he throws some
double bass in there and the next time around you hear some blasty snare! If
you are a drummer, you better hit rewind! The solos afterward are… how do I say…
Special because they are more “standard?” than their others. That may be a poor
choice of words, but I am trying to say that they seem to stand out because I
know Erik makes a point not to have boring solos or leads. And he does so by
saying, mother fuck the major and minor Pentatonic (If I may), and tends to
lean more modal with the things he writes; a man after my own heart. And, I am
not saying that this solo is boring; I am saying I love it and it really stands
out!
7. Fast Paced Society
There
is even more bass awesomeness here at the beginning! I really wish I knew how
they went about writing this part. Because, I would find it hard to write a
catchy and simple bass line to EITHER that beginning drum beat or the guitar
that follows. Amirite, gentlemen amirite? But, moving on… THE TRANSITIONS… OH
GOD THE TRANSITIONS! I could only imagine how long it would take me to write
this glorious bastard! Just skip around to any part of the song, and think,
what the hell how did they get here? Also, LOVE the mid tempo upbeat at 3:51.
And, the chaos at the very end of the song is freaking genius. That moves
beautifully into the last song.
8. Outer Isolation
Alas! The final track! Vektor
never fails to make the title track one of the best. This one has a different
feel to it. And, I can’t quite put my finger on it. I really like that high
note that jumps up and says high during the verse riff. And again! My favorite
part in this song is the clean, slower part; and really the whole bridge. The
classical influence really shines out to create the most beautiful lead. Prog
nerds could really take a lesson from this section! It really moves from clean
to heavy very well here. I always pay attention to things like that because if
you don’t know… Those things are very hard to write!
Favorite Tracks - 1, 2, and 8
100%
Not all my reviews will be this long. Just seeing as this is
the first one of my blog I wanted to do something special. And, I really needed
to write all this out before my thoughts on this album drove me insane.
Stay thrashy my friends.
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